🔥 RWA AFTER HOURS: From Hong Kong Connections to On-Chain Cultural Assets
On Aug 29 at 20:00 UTC+8, join Ryan for a focused discussion around the latest developments across Ultiland's RWA ecosystem. 🇭🇰 HONG KONG — THE CULTURAL LAYER
Ultiland recently announced RWA AFTER HOURS: THE CULTURAL LAYER, a small 50-person gathering in Wan Chai during Bitcoin Asia 2026.
The event is designed around art, cultural IP, RWA and Web3, with an emphasis on meaningful offline connections rather than long speeches or project pitches.
We'll talk about why offline networks matter for RWA — and why cultural assets need more than an on-chain contract. 🔄 WVR → WVRN We'll also break down the latest WVR contract upgrade. According to the current announcement: ✅ WVR will be upgraded to WVRN ✅ WVR holders receive WVRN at a 1:1 ratio ✅ No manual action is required ✅ The second trading stage will follow after the migration
We'll discuss what this upgrade means and what users should pay attention to. 🐎 EVHP1 We'll return to EVHP1, linked to Belgian artist Stef Jacobs' physical sculpture Isabella d'Asilah and the 25-year artistic world of Evohippus. Rather than focusing only on the token, we'll discuss the underlying artwork, its cultural identity and how a physical cultural asset can enter an on-chain market. 🎬 3025 We'll also revisit 3025, linked to Simon Yam's signed limited artwork 3025#3. The key question is no longer simply: "What is the artwork?" But: "How can a real cultural asset continue operating after entering the on-chain market?"
📅 Aug 29, 20:00 UTC+8 📍 Set your reminder: RWA AFTER HOURS: FROM HONG KONG TO THE ON-CHAIN WORLD 🎁 RED PACKETS WILL BE DROPPED THROUGHOUT THE LIVE!
Stay active. Stay tuned. Catch the drops. See you there.
✨ This Bitcoin Asia Hong Kong side‑event has concluded successfully.
Focused on culture‑driven RWA, the evening cocktail gathering united art creators, collectors, institutional investors and Web3 builders for idea‑sharing and networking.
▪ Ultiland showcased its art & cultural IP RWA ecosystem and real‑world on‑chain art practices. ▪ ME & Agenton shared Web4.0 insights into the attention economy and AI‑agent‑driven opportunities. ▪ MBN issuer shared hands‑on takeaways on physical‑art creation and cultural‑asset digitization. ▪ The ARTmeme Global Cultural Co‑creation Initiative launched in
Hong Kong, preserving urban memories on‑chain for global creators. Plenty of time was allocated for open discussions. Participants exchanged views on RWA adoption, AI agents and cultural‑IP partnerships, with several potential collaborations taking early shape.
Ultiland will keep building art‑oriented RWA solutions and advance the ARTmeme global urban‑culture programme to explore new intersections between cultural assets and Web3.
🤝 Astarter × ULTILAND — Where AI Infrastructure Meets On-Chain Culture
We're excited to partner with Astarter, the infrastructure layer for the autonomous AI economy.
Astarter powers AI agents with ABox compute nodes, on-chain execution for trades and predictions, and $AST for settlement and governance. Node operators, liquidity providers, and creators all earn for their work on the network.
@ULTILAND brings art, IP, and real-world assets on-chain. Together, we're building a future where cultural assets are not just tokenized, but traded, governed, and powered by AI-native infrastructure.
🥰 Thrilled to unveil our partnership with @gethongbao .
🏦 #HongBao turns physical interactions at events into simple, verifiable on-chain experiences, helping Web3 projects and brands engage and convert real users more naturally.
🎨 Tokyo isn’t an art city — it’s a museum without walls.
Unlike Hong Kong or Seoul, Tokyo’s art ecosystem isn’t built on a single market. It’s a complete network:
🔹 major museums and small private venues 🔹 commercial and artist-run galleries 🔹 design institutions and universities 🔹 art festivals and auction systems 🔹 subcultural spaces and collector communities
Decades of history can’t be replicated overnight.
📖 Full conversation: https://medium.com/@ULTILAND/tokyo-a-museum-without-walls-38c08c80859c?sharedUserId=ULTILAND
EVHP1 × 3025 × WVR × Hong Kong RWA is no longer just about financial assets.
There is another layer emerging: The Cultural Layer. Art. Cultural IP. Collectibles. Creators. Communities. Real-world assets.
On Aug 25 at 20:00 UTC+8, join us live on Binance Square for a special AMA exploring the stories behind EVHP1, 3025, WVR and Hong Kong's RWA ecosystem.
What we'll explore: 🎨 EVHP1 The intersection of art and real-world assets. 🖼 3025 Exploring the connection between art, IP and collectibles. 🔐 WVR → WVRN A security-focused smart contract upgrade. All WVR holders will receive a 1:1 WVRN airdrop. No action required — simply hold your WVR. 🇭🇰 RWA AFTER HOURS We'll also look at the upcoming closed-door Hong Kong gathering during Bitcoin Asia Hong Kong, bringing together investors, collectors, creators and Web3 builders around art, cultural IP and RWA.
🎁 PLUS: NON-STOP RED PACKETS THROUGHOUT THE LIVE! 📅 Aug 25, 20:00 UTC+8 📍 Set your reminder: RWA AFTER HOURS: THE CULTURAL LAYER | EVHP1 × 3025 × WVR × Hong Kong
🎙 Beyond Shibuya & Ginza: What Does Tokyo’s Art Map Really Look Like?
When people talk about Tokyo, the first images that come to mind are often Shibuya, Ginza, Shinjuku, Harajuku or Akihabara.
But Tokyo has another map. An art map.
On August 23, ULTILAND will take you beyond the usual tourist routes and explore how Tokyo developed one of Asia's most distinctive and deeply layered art ecosystems.
From Roppongi, Tokyo's international art gateway, to Ginza's long-established gallery ecosystem;
From Omotesando's intersection of architecture, fashion and design to 21_21 DESIGN SIGHT, where design becomes a way of thinking about everyday life;
From Yayoi Kusama, Takashi Murakami and Yoshitomo Nara to Tokyo's younger galleries and independent spaces;
And from contemporary art to anime, games, manga and subculture in places such as Akihabara.
Tokyo's artistic identity does not come from one institution or one market.
It comes from the interaction between: Art × Design × Architecture × Fashion × Subculture × City Life
We'll also explore how Tokyo compares with other major Asian art cities, and why the future of Asian art may be less about one city becoming the "center" and more about different cities forming a connected network.
Topic: Beyond Shibuya & Ginza: What Does Tokyo’s Art Map Really Look Like?
📆 Date: Aug 23, 20:00 UTC+8 👉 Set your reminder: Beyond Shibuya & Ginza: What Does Tokyo’s Art Map Really Look Like?
🎁 And yes — there will be continuous Red Packets throughout the livestream.
Join us and discover a different Tokyo. Because Tokyo's real art map isn't just found inside museums. It's embedded in the city itself.
🎨 European art isn't a single centre—it's a network.
Antwerp: quiet, serious, reputation built slowly Brussels: institution-driven, patience required Paris: history and ghosts of movements past Berlin: chaos, conversation, no sales pressure London: pure market, global reach, serious money
Young artists don't choose "Europe"—they choose which gravity well to orbit.
📖 Full conversation: https://medium.com/@ULTILAND/european-art-not-a-centre-but-a-network-b4a6bb0737eb?sharedUserId=ULTILAND
🧑🎨 Stefan Jacobs is a Belgian contemporary artist and the creator of L’Ecurie de Marcelo, an artistic universe centred around the horse as a symbol of evolution, culture and transformation.
At the heart of his work is Evohippus, an imaginary horse breed that evolves through encounters with different cultures, materials and traditions. Rather than repeating a fixed visual language, Stef allows his work to mutate as it travels — creating a bridge between art, design, craftsmanship and contemporary culture.
With a background rooted in four generations of printing and nearly three decades of creative practice, Stef combines traditional craftsmanship with an experimental and distinctly international approach.
This Friday, join Ryan from Ultiland for a deep dive into $EVHP1 and the physical sculpture Isabella d'Asilah.
We'll explore: 🧬 Why Isabella is called the Mother Form 🎨 The 25-year artistic journey behind Evohippus 🐎 The meaning of the horse as a symbol of freedom and imagination ⛓ How a physical artwork enters an on-chain RWA framework 📌 The latest $EVHP1 subscription information 🎯 The new QuestN community entry
🎁 RED PACKET DROPS WILL BE RUNNING CONTINUOUSLY DURING THE LIVE! Live Time: Aug 21 · 20:00 UTC+8 Set your reminder: EVHP1 AMA: The Story Behind the Mother Form Speaker: Ryan · Ultiland
Don't just ask: “What is $EVHP1?” Ask: “What is the story that existed before $EVHP1?” 🐎 The bloodline continues.
Host: Ultiland | Co-host: ME | Media Support: Feixiaohao
7 Days Countdown ✨
A small, curated closed-door night gathering held during Bitcoin Asia Hong Kong, focused on art, cultural IP and real-world assets.
We keep speeches brief and prioritize quality networking. Connect with investors, collectors, creators and Web3 builders in a relaxed atmosphere with drinks and canapés. Limited to 50 guests for pure, efficient industry communication.
Event Info 📅 Aug 27 | 6:30–10:00 PM (HKT) 📍 Wan Chai, Hong Kong 🔒 Approval required | Spots are filling up fast
🎨 From the Caucasus to the on-chain — EVHP1 redefines what a horse can become.
Stef’s EVHP1 draws from the earliest domesticated horses, embodying the "Mother of Origins." She is not a beast of burden or battle, but a vessel of memory, connection, and imagination.
Now entering Ultiland's RWA ecosystem, this work marks a turning point: traditional art stepping into a more open, participatory future.
🧑🎨 Stefan Jacobs is a Belgian contemporary artist and the creator of L’Ecurie de Marcelo, an artistic universe centred around the horse as a symbol of evolution, culture and transformation.
At the heart of his work is Evohippus, an imaginary horse breed that evolves through encounters with different cultures, materials and traditions. Rather than repeating a fixed visual language, Stef allows his work to mutate as it travels — creating a bridge between art, design, craftsmanship and contemporary culture.
With a background rooted in four generations of printing and nearly three decades of creative practice, Stef combines traditional craftsmanship with an experimental and distinctly international approach.
What can a 25-year-old fictional stable teach us about the European art ecosystem?
And what happens when that story travels from Antwerp to Shanghai?
On August 16, Loven @BTC洛文 and Belgian artist Stef continue the EVHP1 AMA series.
We'll explore European art networks, Shanghai, Chinese aesthetics, the relationship between European depth and Asian velocity, and how AI and RWA may reshape the future of physical art.
FROM ANTWERP TO THE WORLD Europe as a Network — Not a Centre, But a Web
📅 Aug 16, 20:00 UTC+8 🎁 Non-stop Red Packets during the live
The bloodline continues. Join us on Binance Square.