Tezos

The Experience of Using Objkt.com Just Got Even Better
When I go to an online marketplace to discover and maybe collect some art, there is a specific place I am coming from that is already delicate. An emotional grey area waiting to be filled with wonder, yet surrounded by sharp edges. In other words, this is a raw and somewhat rare series of events that can easily be interrupted or manipulated.
The tech needs to be sound and the experience intuitive or most will simply disengage at the first hurdle. For people already in a delicate place, they need to be met with an interface built by people willing to do some handholding and emotional support. The experience needs to be secure and maintained by those committed to the arts more than the charts.
This is how you can tell that OBJKT is here to stay, grow, and hold up the arts. After several years of enduring rigid market conditions and criticism at every turn, for very little monetary gain, they continue to improve the experience of using the platform. They keep iterating the site like an ever evolving collaborative code-based artwork, and recently another huge update hit the site making the entire user experience feel fresher, smoother, and more artsier. This article will dive into some of the nuances within those changes.
Collection of posts about the OBJKT update A Quiet Shift in the Room
Anyone who has spent time in digital art circles knows that UI critique is its own sport. Interfaces get picked apart and rarely can make a majority of users satisfied, so watching the response to this latest objkt update has been interesting for that reason. Not many complaints are circulating from the community. I have mostly just seen praise. That kind of reception only happens when the people building the thing have been listening for a long time and rolled out a solid UI that most can appreciate.
Hung Nguyen of the objkt team published a thorough roundup of the changes on objktor, the team’s native blog, which is worth a read for anyone curious about the design thinking behind each decision. This article approaches the same update from the other side of the screen, with the perspective of a longtime user who has watched the platform evolve through every season the ecosystem has weathered.
More Room To Be Yourself
The profile page is often the first real impression an artist makes on a collector, and for a long time it offered very little space to actually introduce yourself. When you land on a profile, you can see the artworks someone has created and collected, but there has not been much reserved space for context about who they are as a person or artist, beyond the ability to add links. That gap has now been closed with the addition of a dedicated About tab.
You can add text, headings, quotes, and images, in this new section, which means an artist can finally tell their own story without sending visitors off to a personal website or X profile. Pair this with animated banners and a more fluid profile layout, and the page can now be as intentional and unique as the art.
For collectors, this also means more context to grab onto when appreciating a work that stopped their scrolling. For artists, it means one less reason to constantly point people in multiple directions.
A profile that matches the art by Rinifish Themes Beyond Light and Dark
This objkt update has created a lot of genuine excitement and joy with a lot of it focused on a particular enhanced feature. On top of the usual Light and Dark themes, objkt has added Caramellatte, Cyberpunk, Win 95, Dracula, and Cupcake. Win 95 in particular is a love letter to anyone who grew up online during that specific era of the internet, and the fact that it lives inside a Tezos marketplace in 2026 says that the team sees the bigger picture. Many are still trying to get that early internet energy back, and on Tezos devs are building towards what it can evolve into.
The deeper layer of the theme update is the option to build your own. Clicking “Manage themes” opens the Settings page, where you can edit or create a custom theme, from colors to more specific details like field size and border width. Two collectors browsing the same drop might be looking at completely different palettes, customized to fit their vibe, and that small bit of agency changes how it feels to spend time on the site.
Speaking More Languages
Accessibility takes many forms, and language is one of the most fundamental. The update brings support for German, Spanish, French, Portuguese, Japanese, and Chinese, opening the marketplace to artists and collectors who have been participating in the Tezos ecosystem without their primary language being part of the interface. The Tezos art community has always been globally distributed, and Tezos marketplaces are evolving to align with Tezos users more and more.
Less Clicking, More Picking
The explore page has been refreshed with filters moved to the top, and the clicking needed to interact has been greatly reduced. Making an offer, bookmarking, adding to a curation, sharing, reporting, or muting notifications, are now available directly from the browsing view. Not a flashy feature, but a powerful one resulting in less clicking and more time actually looking at and collecting art.
These are the kinds of nuances that only get prioritized when a team is using its own platform and seeking how to improve upon it. Tooltips, spacing tweaks, and action shortcuts show up in the bones of an interface and create a better atmosphere for immersion.
Easing The Learning Curve
Minting and curating on any blockchain can be quietly intimidating for someone arriving for the first time. The update includes more context and helpful tips at the points where new users tend to get stuck, woven into a first-time tutorial that is more thoughtful than what most marketplaces offer. Holding a new user’s hand through their first mint or their first curation is the kind of work that does not get applauded loudly, but it determines whether someone stays in the ecosystem or quietly drifts off after a single confused attempt to contribute. Treating onboarding as a creative responsibility, rather than an afterthought, is part of what will help the digital art movement expand and thrive.
Building For The Arts
A team that keeps refining an interface, year after year, through bear markets and through criticism, is a team that has decided their north star is the people using the platform rather than the next speculative wave. The features described in Hung’s objktor post are technical changes, but the posture behind them is truly artsy. Objkt decided that artists deserve a real About tab and that a non-English speaking collector or artist deserves an interface in their own language. Then built it into one of the biggest and most successful updates to ship in 2026 so far. I said it in an article before and I will say it again, while others dip, objkt ships.
Still Here, Still Growing
The update is live, the community has noticed and celebrated the way Tezos does best, which is through making more art. The trajectory feels like it has picked up momentum. If you have been away from objkt for a while, this is a worthwhile moment to come back through and explore.
Customize a theme. Fill out an ‘About’ tab. See the art and navigate with ease. These small updates add up to an experience that is easier to adopt on a greater scale, and with most of the UI critics satisfied, the experience can speak for itself.
OBJKTively Committed To Growth was originally published in Tezos Commons on Medium, where people are continuing the conversation by highlighting and responding to this story.

This week brings together a few of the themes that have been building across the ecosystem for some time.
As we enter the cooldown phase for the next Tezos protocol upgrade, we’re focusing on the awesome community members who are contributing in their own way through tools that help preserve the growing archive of art, collections, and cultural history being created on Tezos.
That focus on permanence and preservation extends beyond software as well. In New York, artists, curators, and collectors recently gathered for Open Worlds at the Museum of the Moving Image, while a new commission by Linda Dounia and Rhea Myers is now on display as part of the ongoing MoMI x Tezos Foundation partnership.
This week's stories highlight something that has always been part of Tezos. Protocol upgrades provide the foundation, builders create the tools people rely on, and artists continue to explore new ways of using the technology itself as a creative medium.
Community Spotlight: Building For the Culture
This week, we're turning the spotlight toward a group of community-built tools that help preserve the growing archive of art and culture on Tezos.
Every collection tells a story, and as that history continues to grow, so does the importance of keeping the media, metadata, and context behind those works accessible for years to come. Media files need to remain accessible, metadata needs to stay intact, and collectors need confidence that the history attached to an artwork will still be available years from now.
This week, Tezos highlighted several community-built tools designed to help do exactly that. While each approaches the challenge differently, they all share the same goal: making it easier to preserve artwork and metadata for the long term.
Some of the tools available today include:
• Tezos Archiver by Jack Tezos, which crawls and archives NFT metadata and media files
• NFTBiker Pin Tool by NFTBiker, allowing users to pin metadata and media across multiple IPFS services simultaneously while handling batch processing in the background
• Porcupin by fafo_lab, an open-source self-hosted IPFS node that watches wallets and automatically repins NFT data over time
• Artsaver by flexasaurusrex, which downloads entire collections including both media and metadata into clean local archives
• Tezos Collection Archiver by JestemZero, providing a fast way to create local backups of complete collections directly from a wallet
What stands out is that none of these tools were developed as part of a coordinated initiative. They emerged from members of the community identifying a need and building practical solutions around it.
That speaks to something about the ecosystem as a whole. Collecting, creating, and preserving digital art are all part of the same process. The artwork itself matters, but so does ensuring the files, metadata, and context surrounding it remain accessible over time.
As more collections are created and more history accumulates on-chain, tools like these become an increasingly valuable part of the ecosystem's foundation. They help ensure that the cultural record being built today remains available for future collectors, researchers, artists, and communities to explore.
Tezos Upgrade Tracker: Cooldown Phase
While the community continues building tools around art preservation, governance has also reached another checkpoint this week.
The Ushuaia proposal has successfully completed the Exploration phase after reaching both quorum and supermajority support from participating bakers. With that milestone now behind it, the proposal advances into the 10-day Cooldown phase before entering its final Promotion vote.
Thank you to all the bakers who took part in the process and helped move the proposal forward.
Ushuaia continues the direction established by recent protocol upgrades, focusing on scaling infrastructure, improving the experience for rollups, and preparing the network for future cryptographic requirements.
Among the key features proposed are:
• A 15x increase in Data Availability Layer bandwidth, expanding capacity from approximately 0.66 MB/s to 10 MB/s
• Dynamic DAL attestations, reducing the time required for data confirmation
• Greater flexibility for rollup environments to evolve through governance mechanisms
• Early groundwork for quantum-resistant tz5 accounts
• Experimental support for protocol-native liquid staking infrastructure through sTEZ
The proposal also continues the Tezos X journey by expanding the data capacity available to execution layers and future applications. As more builders begin experimenting with Tezos X Previewnet and increasingly data-intensive workloads, these protocol-level improvements provide additional room for applications to scale.
For now, the proposal enters its cooling-off period, giving bakers and the wider community time to review the upgrade before the final Promotion vote begins. If approved in the next phase, Ushuaia will move one step closer to activation later this year.
You can follow the proposal's progress on Agora as it advances through governance.
This Week in the Tezos Ecosystem
Open Worlds Celebrates Art on Tezos at MoMI
From preserving art through community-built tools to experiencing it in person, the conversation around art on Tezos continued this week at the Museum of the Moving Image in New York.
Open Worlds: An Afternoon of Digital Art Encounters brought together artists, collectors, and members of the community for an afternoon that explored different approaches to creativity, performance, and generative art. Hosted by the Museum of the Moving Image in partnership with Art on Tezos, the event highlighted three artists whose practices approach technology from very different perspectives.
Visitors had the opportunity to meet and hear from:
• Travess Smalley, whose work explores generative image systems and computational art, including a talk and signing for his Pixel Rugs publication
• OONA, whose performances examine themes of technology, identity, and gender through the lens of digital culture
• Edgar Fabián Frías, a multidisciplinary artist and educator whose practice brings together performance, psychology, spirituality, and contemporary media
Events like Open Worlds continue to demonstrate how the Tezos art community extends far beyond the digital realm. Artists, curators, institutions, and collectors are creating opportunities to experience these works together, adding context, dialogue, and human connection to the creative ecosystems being built online.
A big thank you to everyone who attended, participated, and helped bring the afternoon to life.
Tezos Spring Events
To Be Perceived, Against Evil Opens at MoMI
As conversations around preservation, digital culture, and creative expression continue across the ecosystem, a new commission is now on view in New York as part of the ongoing partnership between the Museum of the Moving Image and the Tezos Foundation.
To Be Perceived, Against Evil brings together the work of Linda Dounia and Rhea Myers in an installation that explores visibility, privacy, memory, and what it means to remain partially unknowable in an increasingly data-driven world.
Inspired by the writings of Édouard Glissant and his concept of the "right to opacity," the work asks a simple but powerful question: what deserves to remain unseen, untranslated, or protected?
Visitors encounter the piece through the Media Wall, which initially appears obscured. As people move through the space, their presence is transformed into encrypted branching data that interacts with Tezos smart contracts. Collective participation gradually reveals portions of the artwork while deliberately preserving areas that remain hidden.
The themes run deeper than the technology itself. For Linda Dounia, opacity connects to her research with the Serer community in Senegal, where sacred trees carry histories of ancestry, memory, and creation. For Rhea Myers, the concept speaks to personal autonomy and the ways systems often expect identity to be fully legible and constantly exposed.
The result is an artwork that uses blockchain as a creative material rather than simply a delivery mechanism, continuing a theme that has emerged throughout the MoMI × Tezos programming series.
Visitors can also collect a free process image accompanying the commission through objkt.com, offering a glimpse into the development of the work alongside the installation itself.
To Be Perceived, Against Evil is now open and will remain on view through August 2 at the Museum of the Moving Image.
🔴 Now Streaming: Inside TzEL and the Future of Private Payments on Tezos
This week on TezTalks Radio, we’re joined by Arthur Breitman, co-founder of Tezos, for a deep conversation about TzEL, an experimental project exploring private, post-quantum payments on Tezos testnet.
At the center of the discussion is a deceptively simple question: If blockchain data can remain public forever, what does privacy actually mean over time?
Rather than treating privacy as a momentary concern, this episode looks at the long-term reality of encrypted transaction data that may still exist decades from now and what happens if future cryptographic assumptions change.
The conversation moves through private payments, post-quantum cryptography, rollups, the DAL, and the engineering realities of turning research ideas into working systems.
This is one of the clearest conversations yet on how Tezos infrastructure, rollups, governance, and long-term adaptability connect together underneath the surface.
Now streaming on YouTube.
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A quick rundown of the latest happenings and significant milestones within the Tezos ecosystem for April 2026.
Welcome to our latest issue, Month At A Glance (April 2026), where we give a quick rundown of the latest happenings and significant milestones in the Tezos ecosystem on a monthly cadence.
April was a month of building and expanding, with protocol upgrades progressing, new projects launching, and ecosystem infrastructure continuing to grow across regions and use cases. From governance milestones to developer tools, asset access, and community initiatives, the network kept moving on many fronts at once.
Let’s break it all down.
Ecosystem Insights
Ushuaia: Tezos 21st Protocol Upgrade Enters Governance
April marked a key milestone for the next Tezos protocol upgrade, Ushuaia, as it entered the governance process. With the injection complete, bakers can now actively review and vote on the upgrade, moving it closer to adoption.
The upgrade continues to highlight notable improvements, from expanded DAL bandwidth and optimized attestation timings to enhanced groundwork for Etherlink via WASM PVM upgrades. Ushuaia also carries forward the liquid staking (sTEZ) feature flag and maintains early support for quantum-resistant accounts, showing the ecosystem’s ongoing focus on security, scalability, and future-ready tooling.
Being mid-way through governance at the time of writing, Ushuaia provides the community with its first real chance to weigh in on the upcoming changes. It’s a strong example of how Tezos’ iterative, consensus-driven model guides upgrades from proposal to adoption, keeping both development and community input tightly aligned.
Metals.io Announcement at TezDev 2026
Right before April started, there was another big announcement. Metals.io was unveiled at TezDev 2026 as the evolution of Uranium.io, expanding Tezos-powered access from uranium to a broader range of physical metals. The platform now covers gold, uranium, and niche materials such as hafnium, rhenium, indium, neodymium, and praseodymium, all fully backed with secure custody and transparent pricing.
Metals.io enables fractional ownership, on-chain settlement, and continuous market access, making metals markets faster, more accessible, and easier to interact with than traditional channels. Upcoming expansions include silver, palladium, nickel, and cobalt, extending the protocol’s reach for both institutional and retail participants.
This launch underscores Tezos’ growing role in real-world asset infrastructure, bringing previously hard-to-access markets on-chain and standardizing pricing and exposure across a diverse set of commodities.
Tezos X roadmap update
In late April, a joint post by the Tezos core development teams (Nomadic Labs, Trilitech, and Functori) detailed a major update on the Tezos X roadmap, moving the project from broad vision toward concrete execution. The post lays out how the unified execution layer, where EVM and Michelson share a single ledger, is progressing, with a public testnet already out, and a clear path to mainnet activation.
The update explains that the execution layer will initially support two interfaces: EVM via Etherlink, and Michelson via the Shadownet testnet, both designed to work together seamlessly. Developers are encouraged to start deploying and testing on the previewnet now, with a governance vote on the Etherlink upgrade expected in June to bring Tezos X live on mainnet.
Alongside the timeline, the roadmap update highlights the milestones that have already been achieved, such as Layer 1 optimizations, DAL activation, and Etherlink’s evolution, and clarifies how priorities have shifted in response to real‑world signals. It gives builders and stakeholders a more concrete sense of what to expect and when, anchoring Tezos X’s long‑term vision in a near‑term rollout plan.
News From The Tezos Ecosystem: Quick Bits
Beyond those insights, the ecosystem saw plenty of other noteworthy developments worth a quick look:
Tezos Intents AnnouncedIn April, Tezos Intents was announced as a new standard for on-chain instructions. It lets users express actions like swaps, trades, or other interactions in a way that different protocols can read and execute, making cross-protocol operations smoother. Developers can explore it at tezosintents.com
Tezos Patronage Association Launched The Tezos Foundation announced the launch of the Tezos Patronage Association (TPA), a Swiss industry association created to ensure strategic alignment across new independent regional entities. Alongside TPA, Tezos Middle East (Dubai) and Tezos Southeast Asia (Singapore) were established to focus on ecosystem development in gaming, capital markets, DeFi, and art, helping the Tezos ecosystem expand globally.
Tezos EVM Hackathon Winners Announced The Tezos EVM (Etherlink) AI Hackathon concluded with winners recognized for their innovative projects. Arbiter automated escrow agreements using AI to deploy and settle locked contracts. No-Code Agent Builder offered a visual, drag-and-drop workflow for creating AI-powered blockchain agents without writing code. SlashMarket split staked XTZ into principal and yield tokens, letting AI agents compete on-chain to optimize delegation strategies.
TezDev 2026 recap TezDev 2026 took place at the very end of March, so it didn’t make last month’s edition, but the event and its announcements dominated discussions throughout April. The conference brought together builders, developers, and ecosystem enthusiasts, with key highlights including the unveiling of Metals.io, updates on Tezos X, and talks covering gaming, DeFi, and infrastructure innovations. For a full look at the sessions, demos, and major takeaways, see the detailed recap here.
Tezos (XTZ) Now Available on Bitstamp Bitstamp added Tezos (XTZ) to its platform in April, giving US users another major exchange to buy, sell, and trade XTZ. This expands access and liquidity for Tezos in the US market.
chart.win Waitlist Opens for First Userschart.win began granting access to users off its waitlist, letting the first participants try out the platform’s prediction grid and multiplier mechanics powered by Etherlink. The waitlist remains open for others to join and get access as it rolls out to more users.
Events
Artz Fridays w Altgon — April 3rd
Tuesday🎙Tezday Community Call — April 7th
Artz Fridays w Aether Cavendish — April 10th
Tuesday🎙Tezday w Ben Elvidge — April 14th
Stakehouse #3 “Revenge of the Stake” — April 15th
Artz Fridays w Malicious Sheep — April 17th
Tuesday🎙Tezday w Efe Kucuk — April 21st
Artz Fridays April’s Community Call — April 24th
Tuesday🎙Tezday Community Call — April 28th
Stay in the Conversation, Stay in the Know
Tezos Commons hosts a variety of community-oriented events and content. From podcasts, X-spaces, and long-form content, there’s something for everyone.
TezTalks Live
TezTalks Radio
X Spaces
X Shorts
Baking Sheet Newsletter
In-Depth Articles
You can also contact us on X or via email at social@tezoscommons.org.
Month At A Glance — April 2026 was originally published in Tezos Commons on Medium, where people are continuing the conversation by highlighting and responding to this story.

Paziņojam par CRP uzvarētājiem 2026. gada aprīlī!
Sveiki, Tezos kopienas biedri,
Mums ir prieks paziņot par “Kopienas atlīdzības programmas” CRP uzvarētājiem 2026. gada aprīlī!
Lai uzzinātu vairāk par dažādām kategorijām, lūdzu, skatiet atlīdzību lapu Tezos Commons vietnē.
Kopienas atlīdzības programma ir Tezos Commons Foundation iniciatīva, kas vērsta uz adopcijas veicināšanu un Tezos ekosistēmas atbalstīšanu. Katru mēnesi tez atlīdzības tiek sadalītas individuāliem un komandām, kas izceļas ar nopelniem un darbojas Tezos ekosistēmas interesēs kopumā. Šajā kārtā kopumā tika piešķirti 10,000 tez.

2026. gada maija Mākslas uzmanības centrā uz Tezos
Kas īsti nozīmē vārds “artsy”? Vārda artsy definīcija ir kaut kas, kas izceļ mākslinieciskumu vai talantu. Dažreiz mēs piešķiram savas nozīmes vārdiem, un jo vairāk šie alternatīvie jēdzieni tiek lietoti, jo spēcīgāka kļūst asociācija, beidzot aizvietojot definīciju. Šī parādība, kad vārdi tiek izkropļoti no definēta uz abstraktu, ir ironiski svarīga simbolisma iezīme, ja to lieto mērenībā.
Tieši to šī sērija cenšas nodrošināt, apzinātu uzmanības centrā uz cilvēkiem, kuri izpaužas, būdami artsy. Izcelti mākslinieki arī paplašina, kā viņi dalās ar savu mākslu, izmantojot tehnoloģijas. Izmantojot jaunus medijus, piemēram, NFTs, un veidojot aizvien pieaugošas tiešsaistes kopienas ap digitālās mākslas novērtēšanu, mēs varam atklāt jaunas paradigmas, kad tās attīstās.

Sveicināti atpakaļ. Šīs nedēļas izdevums ir veltīts vienam no progresīvākajiem eksperimenti, ko esam redzējuši iznākam no Tezos ekosistēmas kādu laiku.
TzEL ievieš post-kvantum privātās maksājumu metodes dzīvā testnet vidē, pārvēršot problēmu, kas parasti dzīvo pētniecības dokumentos un ilgtermiņa drošības diskusijās, par kaut ko, ar ko izstrādātāji var faktiski darboties jau šodien. Tas skar jautājumu, kuru kļūst arvien grūtāk ignorēt plašākajā nozarē: kas notiks ar blokķēdes privātumu, kad šodienas darījumus aizsargājošā kriptogrāfija rīt kļūs neaizsargāta?

Aiz rīkiem, jokiem un eksperamentiem, šeit ir ieskats, kā domā un rada viens no Tezos' visproduktīvākajiem veidotājiem.
Tu, iespējams, esi pamanījis, ka bieži rakstu par kopienas veidotiem rīkiem, kas atvieglo Tezos lietotāju navigāciju šajā telpā. Un, ja esi pievērsis uzmanību, ir viens vārds, kas atkārtojas atkal un atkal. Protams, es runāju par Džeku Tezos.
Viņš ir viens no spējīgākajiem un vismīļākajiem veidotājiem kopienā, vairākkārtējs Tezos CRP balvas ieguvējs un daudzu rīku autors, kas padara ekosistēmu jautrāku un pieejamāku. Es domāju, ka ir pienācis laiks, lai viņš saņemtu nedaudz vairāk uzmanības, tāpēc šeit ir mana Q&A ar Džeku, kur mēs izpētām viņa ceļu un viņa skatījumu uz būvēšanu Tezos.

Tezos X Previewnet tagad ir aktīvs, dodot izstrādātājiem pirmo reālo vidi eksperimentēšanai ar EVM un Michelson, kas darbojas kopējā virsgrāmatā. Pēc ceļa kartes, par kuru tika runāts bloga ierakstos, konferences runās un protokola uzlabojumos pēdējo pāris gadu laikā, tas ir nozīmīgs solis uz priekšu. Izstrādātāji tagad var faktiski testēt arhitektūru, izpētīt, kā uzvedas krustojuma lietojumprogrammas, un sākt domāt par pavisam jauniem dizaina modeļiem.
Tajā pašā laikā kopienas puse ekosistēmas turpina virzīties līdzās. Notikumi, kā Tezos Brokastu Klubs Maiami, atgādina, ka aiz katras protokola atjauninājuma un tehniskā sasnieguma joprojām ir tīkls cilvēku, kas dalās ar idejām, veido projektus un veido nākotnes virzienus.

Atgriešanās, Tezos kopiena. Šīs nedēļas izdevums fokusējas uz vienu no skaidrākajiem atjauninājumiem, ko esam redzējuši šogad.
Tezos X pāriet no ceļa kartes uz kaut ko, ar ko izstrādātāji var patiesi strādāt. Arhitektūra, kas apvieno EVM un Michelson vienā grāmatā, jau tuvojas testnet, un ceļš uz mainnet jau ir izstrādāts. Tas ir brīdis, kas sasaista daudz no pamata darba, kas tika veikts pēdējo pāris gadu laikā.
Kad sākam virzīties uz vasaru, iestājas konferences sezona, un mums ir jauns pasākums, ko izcelt. Par to visu runāsim zemāk šīs nedēļas Ceptajā Lapu.

2026. gada aprīļa kopienas mākslas izcelšana uz Tezos
Pagājušajā mēnesī es nogāju no scenārija, ļaujot uzmanībai sekot personīgai atklāšanai, nevis gaidot uz nominācijām. Tomēr esmu priecīga teikt, ka dažas nominācijas parādījās manā plūsmā īsi pēc ‘ART’ikula publicēšanas martā. Šomēnes trīs mākslinieki izcēlās caur kopienas nominācijām X. Esmu pievienojusi ceturto un domāju, ka visi sapratīs, kāpēc.
Turpmāk tiek izcelta mākslas izvēle, kas sastādīta no šīm nominācijām. Es koncentrēšos uz pašu mākslu, vienlaikus nodrošinot, ka katrs mākslinieks saņem pienācīgu atzinību. Neviens no šiem mākslas darbiem nav norādīts manā otrreizējā pārdošanā, un nekas šeit nedrīkst tikt interpretēts kā finanšu padoms.

Šonedēļ The Baking Sheet uzmanība atgriežas pie tā, kā Tezos darbojas ikdienā.
Jauns protokola priekšlikums tagad ir uz galda ar Ushuaia, turpinot virzību uz augstāku caurlaidspēju, ātrāku apstiprinājumu un elastīgāku infrastruktūru pa slāņiem. Tajā pašā laikā izmaiņas, kas jau ir ceļā, sāk parādīties, kā maiznieki strādā, īpaši, kad tīkls dziļāk iedziļinās BLS balstītajā konsensā ar pieaugošu parakstu rīku komplektu.
Ja tev patīk redzēt, kā Tezos darbojas protokola un tehniskajā līmenī, tad šīs nedēļas atjauninājums tev noteikti patiks.

Jauna laikmeta mākslas ekosistēma uz Tezos
Ap NFT notiek identitātes krīze, un daudzi cilvēki cenšas izveidot nākamo lielo lietu, bet kur ir pionieri, kas veido nākamo ĪPAŠO lietu? Kā mēs varam pāriet no krīzes atpakaļ uz radošumu?
No tā, ko redzu, mederu.art notiek kaut kas īpašs. Nosaukums ir dīvains, mārketings ir neapstrādāts, un nekas no tā neliek man, amerikānim, justies uzreiz kā mājās. Sveša, bet kaut kā pazīstama enerģija man pārņem, kad skrolēju mederu mākslas plūsmu. Tas nav pulēts AAA mākslas tirgu spēles. Tas vairāk atgādina indie spēli, kas ir cepta ar mīlestību un kaislību.

Paziņojam par CRP uzvarētājiem 2026. gada martā!
Sveicināti, Tezos kopienā,
Mēs ar prieku paziņojam par “Kopienas atlīdzību programmas” CRP uzvarētājiem 2026. gada martā!
Lai iegūtu vairāk informācijas par dažādām kategorijām, lūdzu, skatiet atlīdzību lapu Tezos Commons vietnē.
Kopienas atlīdzību programma ir Tezos Commons Foundation iniciatīva, kas vērsta uz adopcijas veicināšanu un Tezos ekosistēmas atbalstīšanu. Katru mēnesi tiek sadalītas tez atlīdzības indivīdiem un komandām, kas izceļas ar nopelniem un darbojas Tezos ekosistēmas interesēs kopumā. Šajā kārtā kopā ir piešķirti 9,500 tez.

Laipni lūdzam atpakaļ, Tezos kopienā. Šī nedēļa tieši balstās uz to, kas iznāca no Kannām, un uzmanība sāk koncentrēties uz vienu tēmu: Metāli.
Tez/Dev, metals.io izcēlās kā viens no skaidrākajiem piemēriem reālās pasaules aktīviem, kas pārvietojas uz sistēmu, ko cilvēki var patiešām izmantot. Šī saruna ir turpinājusies, ar dziļākiem sadalījumiem un tuvāku skatījumu uz to, kā piekļuve šiem tirgiem sāk mainīties.
Mēs šonedēļ pavadījām arī kādu laiku, koncentrējoties uz Tezos pamatu, labu infrastruktūru. Artūra galvenā uzruna par Tezos X izgaismoja ceļa karti, parādot, kā infrastruktūra tagad atbalsta sarežģītākas lietojumprogrammas dažādās vidēs, jaunus rīkus, kas atvieglo ideju veidošanu, eksperimentēšanu un virzīšanu uz priekšu bez berzes.

Tezos kopiena atgriežas Sietlā, lai svinētu mākslu
Ir laiks plānot savu ceļojumu uz TezCon. Tas, kas sākās kā vienkārša ideja, kas radusies no saitēm, kas izveidojušās caur TezTones, attīstās par plašāku Tezos kopienas tradīciju. Sietla jau tiek svinēta kā ideāla vieta māksliniekiem, inovatoriem un zinātkāriem prātiem, lai pulcētos un svinētu mākslu. Trīs gadi šīs Sietlas ietekmes, TezCon ir izstrādājusi savu ritmu un raksturu, ko atvieglo cilvēki, kuri turpina savienoties caur Tezos, bet arī vēlas ienest šo draudzību un sadarbību fiziskajā pasaulē.

Problēma #302 ienāk nedēļā, kur fokuss pāriet no ideju ģenerēšanas uz izpildes režīmu Tezos.
Tez/Dev sniedza skaidru pārskatu par to, kur lietas atrodas. Izstrādātāji strādā ar dzīvotspējīgu infrastruktūru, produkti tiek izstrādāti ātrākai izpildei, un jauni sistēmas sāk savienoties pa slāņiem. Šis impulss turpinās, un šī nedēļa sāk parādīt, kā tas tiek pielietots.
Šajā nedēļā Tezos Intents norāda uz citu veidu, kā pārvietoties starp ķēdēm, kur lietotāji nosaka, ko viņi vēlas, un ļauj sistēmai parūpēties par izpildi. Metāla turpina attīstīties, iesaistoties sarunās, kas sasniedz ārpus ekosistēmas un reālajām nozarēm.

Viss nepieciešams līdzsvars
“Viss mērenībā. Pārāk daudz no jebkura ir slikta lieta.”
Tas ir mantras, ko mana mamma bieži atkārtoja, kamēr es augu, un tā turpina atklāt savu dziļumu laika gaitā. Tās nozīme pārsniedz acīmredzamos atsauces, piemēram, seksu, narkotikas un rokenrolu. Tās nozīme ir iestrādāta ikdienas dzīvē, kā mēs pārvaldām savu laiku, vadām attiecības un ieguldām kopienā, kamēr joprojām rūpējamies par sevi.
Mērķtiecība man ir ieguvusi konkrētāku lomu. Es aktīvi moderēju vairākus Tezos balstītus Telegram kanālus un kopienas, kas koncentrējas uz mākslu. Tajās pašās telpās, kur es kādreiz pavadīju gadus, popularizējot savu darbu kā jauktās mediju mākslinieks un mūziķis. Šī maiņa man ir devusi unikālu pozīciju. Esmu piedzīvojis abas interakciju puses.

Laipni atgriezušies, mēs uzsākam tieši pēc intensīvas nedēļas Kannās, un ir daudz ko izrunāt.
Tez/Dev apvienoja ekosistēmu vienā telpā un padarīja dažas lietas skaidras. Komandas būvē uz dzīvas infrastruktūras. Etherlink jau ietekmē to, kā produkti tiek projektēti. Mums bija liels paziņojums par reālās pasaules aktīviem, ar ‘metālu’ palaišanu, pie kuriem jūs varat piekļūt šodien.
Šī momentum turpinājās līdz nedēļas beigām. Artūra sarunas EthCC virzīja uzmanību uz ilgtermiņa gatavību, Bitstamp atvēra vēl vienas durvis piekļuvei caur Robinhood, un jauni projekti Etherlink turpināja rādīt, kā eksperimentēšana un radošums attīstās on-chain.

Ātrs pārskats par jaunākajiem notikumiem un nozīmīgajiem sasniegumiem Tezos ekosistēmā 2026. gada martā.
Laipni lūdzam mūsu jaunākajā izdevumā, Mēnesis vienā skatījumā (2026. gada februāris), kur mēs sniedzam ātru pārskatu par jaunākajiem notikumiem un nozīmīgajiem sasniegumiem Tezos ekosistēmā mēneša ritmā.
Marts atnesa spēcīgu progresu maisījumu visā ekosistēmā. No agrīnajām priekšskatījumiem par gaidāmo Ushuaia protokola uzlabojumu līdz nepārtrauktai iterācijai par Etherlink, jauniem infrastruktūras papildinājumiem un augošiem signāliem no ārpuses, lietas virzījās uz priekšu vairākos virzienos vienlaikus. Tas ir tāds mēnesis, kad gan pamati, gan virsmas līmeņa aktivitāte attīstās paralēli.

2026. gada marts Mākslas fokuss, kas atrasts Tezos
Bija brīdis, kad es neapzināti uzņēmos lomu, kas bloķēja pašu lietu, ko es radīju, lai paplašinātu uzmanību par Tezos mākslu.
Mēģinot saglabāt ‘MĀKSLAS’ raksta mēneša sēriju saskaņā ar kopienas iesaistīšanos, es ļāvu vienkāršam nomināciju trūkumam klusi apstāties. Nodoms bija taisnīgums. Rezultāts bija trūkums.
Šī apziņa pārveidoja visu pieeju. Cilvēki ir aizņemti. Viņi būvē, rada, orientējas dzīvē un daudzos gadījumos vienkārši cenšas noturēties virs ūdens. Sagaidot konsekventus nominācijas kā priekšnosacījumu nozīmīgu darbu izcelšanai, radās berze, kurai vajadzēja būt elastībai. Nomināciju trūkums nekad nebija lieliskas mākslas trūkuma atspoguļojums Tezos.