Web3 Airdrops

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$ETH
{spot}(ETHUSDT)
$ARTX
{alpha}(560x8105743e8a19c915a604d7d9e7aa3a060a4c2c32)

S&P gives USDT the second to last rating! Is Tether really in trouble?

S&P's latest rating is concrete: Tether has been downgraded from 'Restricted' (Level 4) to 'Weak' (Level 5) — the second to last tier in S&P's 6-level system, just one step away from the lowest level!

The core reasons are straightforward: first, the collateral risk is high + insufficient transparency, with 5.6% of USDT reserves in BTC, as well as risk assets like gold and corporate bonds; second, the excess collateral cushion is too thin, with a collateral ratio of 103.9% at the end of September (only 3.9% excess), while the proportion of BTC has already exceeded this value.

Key data exposes the critical issues: at the end of September, the price of BTC was $112,700, now it has dropped to $91,000 (a decline of 19.25%), causing the BTC proportion to fall to 4.5%, and the USDT excess collateral ratio has also dropped to 2.8%. S&P is concerned that if BTC falls further, it may trigger insolvency risk.

But don't panic! S&P did not say Tether will collapse — it holds over $130 billion in U.S. Treasury bonds, making up 75% of its collateral, which is a stabilizing anchor. Moreover, Tether is a cash cow; as long as it doesn’t make reckless moves, it should be fine in the short term.

PS: In S&P's 6-level rating, USDT is now ranked 5th, with risk signals fully activated; stablecoins are not absolutely stable!

$SQD
{future}(SQDUSDT)
$YALA
{future}(YALAUSDT)
$KGEN
{future}(KGENUSDT)
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In the first year of entering the circle, I learned trading; in the second year, I learned risk control; in the third year, I learned emotional management; in the fourth year, I learned how to avoid liquidation. In the fifth year, I suddenly realized: Oh, it turns out I am suitable to be a 'chive'.

In the Web3 circle, 'domestic projects' seem to carry a layer of inexplicable bias — how many quality local projects are just emerging, only to be labeled as 'short-term hype' and 'hard to land'. ARTX, when it first launched, was no exception: 'Oh? Another domestic project?' 'I estimate it won't last three days of hype, no need to waste time' 'It's probably just storytelling, definitely won't amount to anything.' But bias ultimately can't stand against hard power. This least favored domestic project is firmly pushing back all doubts into the market with solid progress: amidst the negative voices across the internet, Ultiland directly released a hardcore bomb — the cultural relic-level asset $EMQL (Qianlong vase) has completed formal transfer and custody, truly realizing 'real assets on-chain, on-chain rights confirmation and delivery.' It's worth noting that this is something that most 'PPT projects' in the industry dare not promise, while Ultiland never relies on hot air, but lets actions speak: initiating a foundation independently to strengthen the ecological foundation, building a complete ecological closed loop from scratch, refusing to rely on third parties, opening exclusive content channels to build differentiated advantages, promoting cultural relic-level heavy assets on-chain, making RWA more than just a concept, offering a super fund of 10 million ARTX (approximately 50 million USD) to solidly promote the landing of the cultural asset RWA system. While others are still looking for endorsements and waiting for capital recognition, Ultiland's attitude is simple and firm: 'We do not need external endorsements; our own strength is the best proof of credit; capital can take a step back, but the ecology must run first.' The most ironic thing is that those who initially mocked and ridiculed have quietly changed their attitudes — they have begun to delve into the project logic and regret missing the early stage, because the continuous positive trend of ARTX, the dense landing actions, and the real traceable assets have completely broken the stereotype that 'domestic projects are not viable': whether or not big things can be accomplished has never been judged by passports! This wave from Ultiland not only vindicated domestic projects but also directly charged to the forefront of the cultural RWA track: ARTX is not the best at marketing, but it is undoubtedly the most resilient and down-to-earth domestic project in the Web3 circle — regardless of whether the outside world is optimistic or not, it has already walked out of a solid road, even more stable and beautiful than many 'international big projects'. #Ultiland $ARTX $EMQL #RWA @ULTILAND

In the Web3 circle, 'domestic projects' seem to carry a layer of inexplicable bias — how many quality local projects are just emerging, only to be labeled as 'short-term hype' and 'hard to land'. ARTX, when it first launched, was no exception: 'Oh? Another domestic project?' 'I estimate it won't last three days of hype, no need to waste time' 'It's probably just storytelling, definitely won't amount to anything.' But bias ultimately can't stand against hard power. This least favored domestic project is firmly pushing back all doubts into the market with solid progress: amidst the negative voices across the internet, Ultiland directly released a hardcore bomb — the cultural relic-level asset $EMQL (Qianlong vase) has completed formal transfer and custody, truly realizing 'real assets on-chain, on-chain rights confirmation and delivery.' It's worth noting that this is something that most 'PPT projects' in the industry dare not promise, while Ultiland never relies on hot air, but lets actions speak: initiating a foundation independently to strengthen the ecological foundation, building a complete ecological closed loop from scratch, refusing to rely on third parties, opening exclusive content channels to build differentiated advantages, promoting cultural relic-level heavy assets on-chain, making RWA more than just a concept, offering a super fund of 10 million ARTX (approximately 50 million USD) to solidly promote the landing of the cultural asset RWA system. While others are still looking for endorsements and waiting for capital recognition, Ultiland's attitude is simple and firm: 'We do not need external endorsements; our own strength is the best proof of credit; capital can take a step back, but the ecology must run first.' The most ironic thing is that those who initially mocked and ridiculed have quietly changed their attitudes — they have begun to delve into the project logic and regret missing the early stage, because the continuous positive trend of ARTX, the dense landing actions, and the real traceable assets have completely broken the stereotype that 'domestic projects are not viable': whether or not big things can be accomplished has never been judged by passports! This wave from Ultiland not only vindicated domestic projects but also directly charged to the forefront of the cultural RWA track: ARTX is not the best at marketing, but it is undoubtedly the most resilient and down-to-earth domestic project in the Web3 circle — regardless of whether the outside world is optimistic or not, it has already walked out of a solid road, even more stable and beautiful than many 'international big projects'. #Ultiland $ARTX $EMQL #RWA @ULTILAND