When most of the top ten entries on a content chart are series made by machines, it means the cost curve has crossed a certain threshold.

Once it crosses that threshold, what’s scarce is no longer “whether you can make it,” but “what makes people click on episode one.”

In an industry where supply has exploded, the competition ultimately comes down to curation and recommendations, not production capacity.

The skill content creators should invest in most right now is judgment, not productivity.