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Galloping Steed on the Chain: When “Success Upon the Horse’s Arrival” Meets Crypto RWA — How Will Trillion-Dollar Cultural Assets Charge Into the Game? #马到成功 #币安区块链周
A virtual steed woven from streams of data gallops through the air above Hong Kong’s Central district in cyberpunk style, its trailing light-shadow trail transforming into flowing blockchain characters intertwined with porcelain patterns — this is no science-fiction movie scene, but the new narrative of cultural assets being reshaped by crypto RWA.
In 2025, on the ULTILAND platform, a Qianlong imperial porcelain piece titled The Emperor’s Token was fractionalized into countless on-chain shares and opened for global subscription at just 0.15U per share. In history, similar porcelains have fetched as high as HK$8.98 million at Christie’s, yet now anyone can become a partial owner of this cultural heritage simply by holding tokens and share in the cash flow from its future auctions.
This marks the entry of cultural asset digitization into the RWA (Real World Assets) 2.0 era — characterized by “provable ownership, verifiable valuation, and dividend distribution.” When the Eastern cultural symbol “Success Upon the Horse’s Arrival” — a blessing embodying the wish for swift achievement — collides with crypto RWA technology that dramatically boosts asset liquidity through tokenization, a trillion-dollar migration of cultural assets onto the blockchain is officially underway.

01 Cultural Fast Steed: When “Success Upon the Horse’s Arrival” Meets Asset Tokenization
“Success Upon the Horse’s Arrival” is not just a congratulatory idiom; it is a value metaphor that prizes both speed and results. On ancient battlefields, a warhorse galloping to deliver victory news was the origin of this imagery, carrying hopes for rapid success.
In the context of crypto RWA, the “horse” symbolizes those physical assets with profound cultural value yet severely constrained liquidity — porcelain, antiques, calligraphy, and paintings. “Success,” meanwhile, corresponds to the efficient value release and circulation made possible by blockchain technology.
The core operation of RWA is tokenization of assets: using blockchain to transform traditional assets into tradable, divisible digital tokens. This process is like giving the “steed” of cultural assets the wings of blockchain:
• Lowering the investment threshold: High-value artworks can be split into small-denomination tokens, attracting global retail participation.
• Enhancing liquidity: Tokens can trade nearly 24/7 on decentralized exchanges (DEXs), breaking time and space restrictions.
• Automated operations: Smart contracts automatically execute compliance processes and distribute dividends (e.g., rental income, auction proceeds), minimizing human intervention and delays.
Just as the Six Steeds of Zhaoling from the Tang Dynasty immortalized military achievements through horse sculptures, today’s RWA technology is minting tamper-proof “digital inscriptions” on-chain for every cultural asset, allowing its value to gallop across a broader global market.
02 “Steed-Type” Assets: Which Cultural Treasures Are Being Put “On-Chain”?
Not all assets are suitable for RWA treatment. Currently, two categories of cultural assets have become the “vanguard steeds” in this on-chain migration.
The first category is top-tier cultural relics and artworks whose value has already been thoroughly validated by traditional markets. The Qianlong imperial porcelain selected by ULTILAND is a classic example. The key to putting such assets on-chain lies in building solid value anchors — through professional appraisal, physical custody, and auction history — to support price expectations for the on-chain tokens.
A quantifiable valuation model shows: when the porcelain auctions for $300,000, the corresponding token price is roughly 3.7U; if it reaches $1 million, the token value could climb to 66U. This mapping mechanism between off-chain value and on-chain price provides investors with a clear reference.
The second category is intangible cultural heritage techniques and data assets, whose value lies in unique cultural connotations and scarce data. For example, the 1,200-year-old Song-dynasty Jizhou kiln “wood-leaf” cup technique has been transformed into digital assets through high-definition scanning, 3D modeling, and AI analysis.
The breakthrough for this category is completing a full closed-loop “data assetization” process: collection → ownership confirmation → valuation → balance-sheet recognition → financing. Tianjin’s Jingxiang Space has successfully used this model to pledge intangible heritage data assets for financing, turning “dormant data” into “flowing capital.”
Whether physical relics or digital craftsmanship, their journey onto the chain follows similar logic: deconstructing profound cultural value through technology into standardized, measurable, and widely tradable digital rights.
03 On-Chain “Saddle & Harness”: How a Dual-Token Economic System Drives Value
A fine steed needs excellent saddle and harness. After cultural assets go on-chain, they require sophisticated economic models to power value circulation. Platforms like ULTILAND have built a “twin-token” system as the core engine.
The system consists of two tokens with clear division of labor and coordinated operation:
• ARTX (platform sovereign token)
Core function: Represents platform governance rights and value capture.
Value support: Platform revenue (e.g., fees) is used to buy back and burn ARTX, driving deflationary appreciation.
• miniARTX (custodied mapping token)
Core function: The primary medium for users to participate in the ecosystem and receive incentives; the only entrance to producing ARTX.
Acquisition method: Mined through “inspiration computing power” earned by creating, trading, etc.
The brilliance of this system lies in its dynamic adjustment mechanism. Using the VMSAP model, the platform analyzes five real-time dimensions — trading volume, market conditions, staking ratio, active wallets, and price — to dynamically adjust the daily issuance cap of miniARTX. It acts like an automatic supply-demand pacemaker: increasing supply during hot markets to encourage participation, and reducing output during cold markets to prevent inflation.
For investors, this means participating in cultural-asset RWA projects not only yields gains from underlying asset appreciation, but also extra token rewards through active ecosystem contribution — achieving dual value capture.
04 Fission Hoofbeats: How Memes and Derivative Creations Ignite Virality
In the crypto world, technical value needs social consensus to amplify. Memes — as cultural genes — are the fission engine of consensus, using light content, strong emotion, and easy transmission to dramatically boost asset visibility and community identity.
“Success Upon the Horse’s Arrival” itself is a powerful cultural meme. Countless derivative digital creations can be spawned around this theme:
• Cyber-steed digital collectibles: NFTs fusing traditional horse imagery with sci-fi elements.
• “Instant Wealth on Horseback” animated stickers: Spread in communities to increase stickiness.
• Chinese-style animated shorts: Telling the story of a horse-themed relic reborn from antiquity onto the chain.
These derivative creations not only propagate culture but directly feed back into asset value. For instance, a viral animation about a “galloping steed” antique porcelain can draw massive attention to its corresponding RWA asset, heating up the market and boosting holder confidence.
Platforms like Mutual specialize in turning film, music, and entertainment IPs into RWA digital assets. Their “four-engine” ecosystem includes a traffic-push engine dedicated to expanding IP influence. The same model applies to traditional cultural assets: attract traffic through meme virality, then capture that traffic with solid RWA value — completing the conversion from attention to real value.
05 Future Track: Investment Perspective and Challenges in a Trillion-Dollar Market
The cultural-asset RWA track has only just started, yet it already reveals enormous potential. Platforms like ULTILAND are collaborating globally with art academies and city nodes through the “Starborn Plan” to build digital cultural landmarks. Institutions like Mutual are dedicated to creating a global platform for digitizing entertainment IPs.
For investors, this is not merely a new way to collect art — it is entry into a compound growth market blending culture, technology, and finance. Investment logic has expanded from simple “buy low, sell high” to multidimensional participation in ecosystem building and sharing growth dividends.
Of course, challenges coexist with opportunities:
• Regulatory compliance: RWA tokens combine technology, business, and cross-jurisdictional complexity, requiring new regulatory approaches.
• Technical barriers: Ensuring asset authenticity and valuation accuracy demands integration of AI, IoT, and other technologies.
• Market education: It will still take time to convince traditional art circles and the general public to understand and accept asset tokenization.

At ULTILAND’s launch event in Hong Kong, a digital artwork of the galloping steed flickered on the same screen as blockchain code. In reality, the Qianlong porcelain vase rests quietly in a vault, while its on-chain twin is collectively owned, traded, and anticipated by tens of thousands of token holders worldwide.
From the stone steeds of Zhaoling to digital assets thundering across the chain, the ancient blessing of “Success Upon the Horse’s Arrival” is being endowed with an entirely new path to fulfillment. When cultural value is secured by code and the threshold to collecting is lowered by tokens, a revolution in ownership has already begun.

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